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Mostrando entradas con la etiqueta Argentina. Mostrar todas las entradas
Mostrando entradas con la etiqueta Argentina. Mostrar todas las entradas

miércoles, 20 de octubre de 2021

Духовный Концерт - Orthodox Music Concert - Concierto de Música Ortodoxa


 

Ликуи Хор - Likui Choir - Coro Likui

Сегодня Русская Православная Церковь Заграницей в Буэнос-Айресе отмечает 120-летие Освящения Собора Святой Троицы.
 
Hoy la Iglesia Ortodoxa Rusa en el Extranjero de Buenos Aires celebra 120 años de la Consagración  de la Catedral de la Santísima Trinidad.
 

Today the Russian Orthodox Church Abroad in Buenos Aires celebrates 120 years of the Consecration of the Cathedral of the Most Holy Trinity.

 


Духовный Концерт - Orthodox Concert


 

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domingo, 10 de octubre de 2021

120-летие Освящения Собора Святой Троицы - 120 Años de la Consagración de la Catedral de la Santísima Trinidad -120th Anniversary of the Consecration of the Cathedral of the Holy Trinity

 

 
 
Сегодня Русская Православная Церковь Заграницей в Буэнос-Айресе отмечает 120-летие Освящения Собора Святой Троицы.

 
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ESPAÑOL:
Hoy la Iglesia Ortodoxa Rusa en el Extranjero de Buenos Aires celebra 120 años de la Consagración  de la Catedral de la Santísima Trinidad.  
 
 

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ENGLISH:

Today the Russian Orthodox Church Abroad in Buenos Aires celebrates 120 years of the Consecration of the Cathedral of the Most Holy Trinity.

Translation:
 
In the name of the Father and the Son and the Holy Spirit! 
 
For the glory of the Unisubstantial, Vivifying and Indivisible Trinity, from September 22 / October 5 to September 27 / October 10, 2021 the celebrations of the 120 years since the Consecration of the High Altar of our Cathedral of the Holy Trinity took place , the first Orthodox temple in all of South America. 
 
Thanks to modern technology, all the religious services and the sacred music concert were broadcast on YouTube on our channel "Hermandad San Sergio." Of course, in relation to this, we must acknowledge a technical error in the sound. The few tests carried out previously were not enough to anticipate some possible clipping in the transmission sound. We found out very late. But it is good for our humility. However, many recordings made in the temple from some particular devices, manage to show the difference of the sound perceived in the temple. 
 
So strong were the emotions experienced and the mood prevailing in the temple that they could be transmitted by that inanimate medium (the transmission) and many people shared that they followed the service with tears in their eyes, as did many of those present.
 
We are not about to tell what everyone could and can see with their own eyes. But there are moments that must be shared and need to be discussed. In the first place, the unanimity and cohesion that we had not felt between us for a long time and that resurfaced many months before the celebration. The participation of the parishioners in all areas of the preparations. In the kitchen, sewing, cleaning, at the construction site to have the apartments where we host our precious visitors from the south ready. In the temple, they worked against the clock to finish on time with the icons and ornaments on the ceilings of the Main Altar, with the printing of the Jubilee Book, in the scanning of the photographs and documents, with the preparation of the exclusive historical exhibition. In the choir rehearsals… the selfless work of the conductors and choirs that began several months before the celebration. 
 
It had been a long time since all the choral staff of the Cathedral met. There was a call with hope that turned into a participation with faith. 
 
Gradually, our longtime choristers began to adhere to the work. We say that choral singing is a faithful reflection of the conciliar sentiment. Behold, despite various difficulties, ways of thinking and different spirits, as the date approached (without being noticed by ourselves at that time), the spirit of unanimity, humility, and council grew. And with them, the good results. There were difficult moments in rehearsals. We thought— “the next rehearsal is not coming”… No! At the next rehearsal, with humility, meekness, good cheer, joyful, everyone came! The Lord blessed the good intentions of His servants.
 
The multifaceted program of the festivities was worked on by everyone. Each one put their grain of sand, their idea and therefore their help. The invisible historical-spiritual component played, according to our humble understanding, a sacramental role. We are talking about the choice of melodies and composers, the menu at the banquet and reception. The choice of color for ecclesiastical vestments and ornaments. 
 
The ornaments and clothing were green. It is the color used for Pentecost. Our case has double value: they are very showy and were acquired in Athens together with dear brother José in 1997. 
 
In the repertoire of the choir, several ascetics of sacred choral art from the entire history of the Russian Orthodox Church in Argentina were present: in their compositions, their specific characteristics and imprint, in the works sung under their direction by the current conductors and choreographers. Eternal memory to all of them!
 
Litanies were sung in Spanish, Arabic, Greek and Slavic. The parishes that were attended by the clergy of our Cathedral throughout its history also participated, with their characteristic melodies, with their practices and experiences: of the Protective Mantle of the Virgin in Tres Capones, of San Nicolás in Encarnación, of the Serbian Community of San Sava in Buenos Aires. 
 
Of course, it had to do with the world situation and the isolation suffered in recent times as a result of the pandemic. Practically, it was the first time in a long time that the doors of the temple were reopened (although those days, access was also by list) and the sanctuary was filled with faithful thirsty for prayer in community. Everyone was very happy for the simple fact that they could have come to pray. 
 
After the liturgy, we all descended to the hall, where our sisters entertained us with a meal and the parishioners were able to appreciate the exhibition prepared exclusively for the case.
 
In the afternoon, the Likui Choir offered a concert of sacred choral music and the guests were also able to appreciate the historic exhibition. Members of the National Government and CABA, the Armed and Security Forces, and neighboring religious communities and friends honored us with their presence. Among them, Monsignor Iosif and Archpriest John of the Patriarchate of Constantinople, as well as the Ambassador of the Russian Federation and his wife. 
 
Thank God the festivities passed in a solemn, peaceful, friendly, pious way, in a spirit of prayer. Of course, we couldn't even get close to the brilliance of the celebrations 120 years ago. But according to our present humble possibilities, we have struggled. Our effort was aimed, first of all, to thank God for His immeasurable Mercy! Almighty God ordained that we, His humble servants, should be the guardians of this, His sanctuary. We will continue to serve and work to continue offering to God the Sacrifice of Truth on this Offertory for the glory of the Holy Trinity, for service to the Homeland, in honor of our ancestors and for the relief of the faithful until the end of the centuries. Amen.
 
Неделя 16. Литургия. Semana 16. Liturgia. 16th Week. Liturgy

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martes, 1 de septiembre de 2020

Catedral Ortodoxa Rusa de la Santísima Trinidad - Russian Orthodox Cathedral of the Most Holy Trinity


ESPAÑOL:
La iglesia de la Santísima Trinidad es un templo de Iglesia Ortodoxa Rusa en la Ciudad de Buenos Aires. Se halla ubicada en el barrio de San Telmo, frente al Parque Lezama, sobre la calle Brasil, al 315, entre las calles Defensa y Balcarce, entre casas de techos bajos, lo que hace que sus cúpulas sobresalgan en el barrio. La parroquia actual no pertenece a la Iglesia Rusa comunista ecumenista, ya que el clero de la parroquia rechazó aceptar el acta de comunión no canónica entre Moscú y la Iglesia Rusa Ortodoxa del Extranjero. Actualmente la iglesia está bajo Metropolita Agafangel del verdadero remanente de ROCOR.

Historia: 
Frente al Museo Histórico Nacional Argentino, se encuentra esta estructura, diseñada en San Petersburgo por el arquitecto del Santo Sínodo de Rusia, Mikhail Preobrazensky, iniciada en 1898, y finalmente construida y adaptada en 1901, y en forma honorífica, por el arquitecto noruego (afincado en Argentina) Alejandro Christophersen, en colaboración con el ingeniero Pedro Coni. Los fondos para su edificación fueron donados por Rusia.

Actualmente es Monumento Histórico Nacional Argentino.

Estructura: 
Arquitectura Neobizantina y Estilo Neorruso

La iglesia consta de una parcela de 716.6 m² y 16 m de frente por 44 m de fondo.

La misma es de un notable estilo moscovita del siglo XVII, con cinco cúpulas acebolladas de color azul, y estrellas doradas, coronadas por cruces ortodoxas sujetas con cadenas que apuntan hacia el oriente.

En sus laterales se pueden apreciar dos murales, uno llamado "Bautismo de Rusia" y otro con motivos sobre la Virgen, Jesús y San Juan.

Finalmente, en el frente, un bajorrelieve en bronce reproduce la fachada de la iglesia.

El templo está en el Primer Piso de la estructura, y se accede al mismo por una puerta ricamente decorada a la izquierda de la fachada. Su altar está intencionalmente enfilado hacia el oriente, también posee varios iconos, destacando entre todos el dedicado a la Santísima Trinidad, que le da el nombre a la Iglesia. A la izquierda del altar, se encuentra el espacio para el coro.

Jurisdicción:
La Catedral está bajo la jurisdicción de la Iglesia Ortodoxa Rusa (aunque no es reconocida por las iglesias mal llamadas canónicas que hoy están en herejía), gobernada por el obispo Gregory de São Paulo y Sudamérica , Vicepresidente del Sínodo ROCOR. 

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ENGLISH:
The Church of the Most Holy Trinity is a temple of the Russian Orthodox Church in the City of Buenos Aires. It is located in the San Telmo neighborhood, in front of Lezama Park, on 315 Brasil Street, between Defensa and Balcarce streets, between low buildings, which makes its domes stand out in the neighborhood. The current parish does not belong to the Ecumenist Communist Russian Church, as the parish clergy refused to accept the non-canonical communion act between Moscow and the Russian Orthodox Church Abroad. Currently the church is under Metropolitan Agafangel of the true remnant of ROCOR.

History:
In front of the Argentine National Historical Museum, is this structure, designed in Saint Petersburg by the architect of the Holy Synod of Russia, Mikhail Preobrazensky, started in 1898, and finally built and adapted in 1901, and honorably, by the Norwegian architect (based in Argentina) Alejandro Christophersen, in collaboration with the engineer Pedro Coni. The funds for its construction were donated by Russia. 

It is currently an Argentine National Historic Monument. 

Structure: 
Neo-Byzantine Architecture and Neo-Russian Style 

The church consists of a plot of 2352ft and 53 ft wide by 144 ft deep. 

It is in a remarkable 17th-century Muscovite style, with five blue onion domes and golden stars, crowned by Orthodox crosses attached with chains pointing to the east. 

On its sides you can see two murals, one called "Baptism of Russia" and another with motifs about the Virgin, Jesus and Saint John. 

Finally, on the front, a bronze bas-relief reproduces the facade of the church. 

The temple is on the second floor of the structure, and it is accessed through a richly decorated door to the left of the facade. Its altar is intentionally oriented towards the east, it also has several icons, highlighting among all the one dedicated to the Holy Trinity, which gives the Church its name. To the left of the altar, is the space for the choir. 

Jurisdiction: 
The Cathedral is under the jurisdiction of the Russian Orthodox Church (although it is not recognized by the misnamed canonical churches that today are in heresy), governed by the ruling bishop of Bishop Gregory of São Paulo and South America, Vice President of the ROCOR Synod. 


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Alá No Tuvo Hijo

  English Version:   Allah Had No Son Fuente:  https://www.chick.com/products/tract?stk=572&ue=d